*All prices are in Canadian funds.
Illustrator FX Palette (204004)
Designed for just about any injury or illness imaginable, the Skin Illustrator FX palette can simulate 1st, 2nd & 3rd. degree burns, cuts, scrapes, scabs, and bruises. The FX Palette seamlessly integrates with the FLESH TONE Palette to create varying degrees of injuries and illnesses. The pigment content is much higher than any other palette available so the colors go farther and last longer.
Tested on feature film productions by a team of award winning makeup artists, FX has already proven itself a valuable addition to anyone's makeup kit.
BLOOD TONE was created specifically to aid the artist in the struggle of feature film continuity and syrup based bloods. It is a realistic natural blood color that can easily be altered to a deeper, more theatrical color blood with the addition of ULTRA BLUE. Conventional bloods will wear or flake away after your actor has left the chair, but with a stand alone application of BLOOD TONE plus a topical application of KY Jelly, your blood work will look good all day without rubbing off or staining the actors costume. When working with the BLOOD TONE, a thin application of KY provides a nice sheen, while a large dollop gives the appearance of dripping blood. The durability of the BLOOD TONE color allows you the freedom to place your blood in the morning, allow it to dry, and then instantly freshen it to camera-ready quality whenever your actor is actually called to set â€“ even if it's hours later.
BLOOD TONE also works exceptionally well as an abrasion resistant undercolor with syrup based bloods. If the conventional blood washes or wears away in a wet scene, the BLOOD TONE will still be there. Either way â€“ you're covered!
Mixing certain colors will not create similar tones, already present in the palette. Mixing the YELLOW and the BLUE will produce a different green than the GREEN that is in the palette. Use the BURNT ORANGE to provide a rust tone. The AGED BLOOD is a mid-ground aged blood which is not too blue or purple. By taking the AGED BLOOD and adding it to any other color in the palette, you will get a whole new range of color.
All Skin Illustrator palettes must be activated with Skin Illustrator Slow Activator, Skin Illustrator Activator or 99% alcohol. Do not use anything else. Removal is easy with Telesis Super Solv or Telesis Makeup Remover.
Skin Illustrator developed by award winning makeup artist Kenny Myers, is a system of durable, water and abrasion resistant alcohol activated make-up that is available in palettes and liquids. Created by professionals for professionals, Skin Illustrator is designed to speed up the process of color applications and touch ups by greatly reducing the need to mix colors. The wide range of colors allows you total control to create any illusion
Skin Illustrator will cover tattoos, create effects, color hair, and it can be used on foam latex, gelatin, plastic, and silicone appliances. The high pigment content provides rich color tones that stay in place and last all day. Skin Illustrator colors can be activated with a spray or dab of alcohol, and they require few touch ups other than an occasional powdering. Whether you use a brush, air brush, sponge or stipple technique, Skin Illustrator can fix a problem or keep one from happening.
Be sure the skin has been gently cleaned and dried before applying the Skin Illustrator colors. Removal is easy with Super Solv, alcohol or isopropyl myristate. Remember to clean the skin after color removal, then apply moisturizer. The key to using Skin Illustrator is to take the time to experiment with the colors. Try different application techniques with a sponge, brush or airbrush, and learn how the colors work under varying conditions. Because art is constantly evolving, Skin Illustrator will always be growing and improving.
Skin Illustrator colors have been tested by independent labs for dermal irritation and have been proven safe for use on skin.